Showing posts with label pantheon. Show all posts
Showing posts with label pantheon. Show all posts

Sunday, May 24, 2026

ROSE PETALS CASCADE THROUGH OCULUS
OF HADRIAN'S PANTHEON IN ROME



AT noon this Sunday, red rose petals cascade through the oculus of Hadrian's Pantheon in Rome.


The event commemorates the ancient Roman spring festival as well as Christian Pentecost.

Rome firefighters scaled the 43-meter-high dome to pour the rose petals through the 9-meter-wide oculus "eye opening" at the top of the historic building.

The ceremony, suspended for many years, was revived in 1995. It dates back to the earliest days of Christianity when the falling rose petals symbolized flames of Pentecostal enlightenment showering down on the faithful.


Tuesday, April 21, 2026

HAPPY BIRTHDAY, ROMA!
By Flamen Antinoalis Antonius Subia





MATER ROMA,

Thank you for saving me from perdition,
Thank you for giving my life meaning and purpose again
Today you have given me so much joy and mystery
I don't even know what to say sometimes
About the way you work your magic over my life
But I feel your power all around me.
You are with me where ever I go,
Where ever I am...You Are There.
Wolf Mother! 
My Latin forefathers flow through my blood
My allegiance to you will never die
I give my life, my strength, my courage to defend you
...and to restore your glory.
Happy Birthday Roma!

~ANTONIUS SUBIA

HADRIAN'S PANTHEON BECOMES A SUNDIAL
FOR THE FOUNDING OF THE CITY OF ROME



THE crowds of tourists at Hadrian's Pantheon witness a spectacular light show on April 21, the anniversary of the founding of Rome, when a ray of sunlight illuminate the temple portals.

The phenomenon, similar to one on the March Equinox, is one of the mysteries that have always surrounded what lies behind the unusual design of the Pantheon, the giant temple in the heart of Rome that was built by the Emperor Hadrian.

Now experts have come up with an intriguing theory – that the temple acted as a colossal sun dial, with a beam of light illuminating its enormous entrance at the precise moment that the emperor entered the building on the anniversary of the founding of the city of Rome each April 21.

Constructed on Hadrian's orders and completed in 128 AD, the Pantheon's hemispherical dome is punctured by a 30 foot-wide circular hole known as the 'oculus'.

It provides the interior of the building with its only source of natural light and allows in rain and – on rare occasions – snow.

Giulio Magli, a historian of ancient architecture from Milan Polytechnic, Italy, and Robert Hannah, a classics scholar from the University of Otago in New Zealand, have discovered that at precisely midday during the March equinox, a circular shaft of light shines through the oculus and illuminates the Pantheon's imposing entrance.

A similar effect is seen on April 21, which the Romans celebrated as the founding date of their city, when at midday the sun beam strikes a metal grille above the doorway, flooding the colonnaded courtyard outside with light.

The dramatic displays would have been seen by the Romans as elevating an emperor into the realm of the gods – a cosmological affirmation of his divine power as he entered the building, which was used as an audience hall as well as a place of worship.

He was in effect being "invited" by the sun to enter the Pantheon, which as its name suggests was dedicated to the most important deities of the Roman world.

"The emperor would have been illuminated as if by film studio lights," said Professor Magli.

"The Romans believed the relationship between the emperor and the heavens was at its closest during the equinoxes. It would have been a glorification of the power of the emperor, and of Rome itself."

The sun had a special significance for the Romans, as it did for the ancient Egyptians.

The god Apollo was associated with the sun, and the emperor Nero was depicted as the Greek sun god Helios in a giant statue called the Colossus, which gave its name to the Colosseum.

One of antiquity's most remarkable examples of engineering, the Pantheon's fine state of preservation is thanks to the fact that it was converted into a church in the seventh century, when it was presented to the Pope by the Byzantine Emperor Phocas.

It retains its original bronze doors and marble columns, some of which were quarried in the Egyptian desert and transported by the ship down the Nile and across the Mediterranean to Rome at huge expense.

Saturday, November 1, 2025

'ANTINOUS PANTHEON' IS ANTINOUS
IN THE GUISE OF MANY GODS



WHEN Hadrian fell in love with our god, he brought Antinous to Rome and cultivated the beautiful youth into the flower of perfect manhood. 

It was during this time that the greatest building of Hadrian's reign was completed, the Pantheon, the magnificent domed Temple of All Gods. 

It was completed and consecrated in 126 AD, and Antinous was certainly present for the ceremony.

After all, he was the chosen favorite of Hadrian and attended Our Pontifex Maximus at the high altar of the only Roman Temple that has remained intact. 

At the start of our Liturgical Calendar's New Year in November we celebrate the glory of the Pantheon, and its builder, and know in our hearts that the divine spirit of Antinous fills the great sacred space beneath the dome.

When Hadrian commissioned the proliferation of images, he portrayed Antinous in the guise of many gods, all of them beautiful boys who died savage deaths for the benefit of mankind.

In these boys we see the mystery of Homo Deus, the gay god, the beautiful one who is sacrificed because his seed does not fall within that chamber from which life comes.

All these dying-boy-gods are Our God who we celebrate as Antinous Pantheon, the many-splendored god of beauty, Antinous who is All Gods, Antinous Uranus.

We offer our reverence to the full pantheon of the gods, and to the Cosmos Our Mother, through Antinous Our Love and Our Lord.

Sunday, August 3, 2025

ANTINOUS IN ROME FOR THE LAST TIME



IMAGINE the spectacular send-off that Antinous and Hadrian received on that day in early August, 128 AD, when they left Rome on their three-year tour of the Eastern Empire.

It would be a fateful journey from which Antinous would never return. This was the last time he would ever see Rome in all its splendor.

Before leaving Rome, the Senate, Pontiffs, Flamenes, and all priesthoods, were summoned by Hadrian to the Pantheon, and there they conducted a solemn ceremony of benediction and safekeeping, for the benefit of the Emperor, for the City and for the World. 

With Antinous at his side, Hadrian announced his purpose for leaving Rome and journeying to the provinces. 

He enumerated his plan to improve the cities of the east, detailing his building projects, and the social, political reforms that would be enacted. 

Hadrian then made sacrifice to Jupiter Optimus Maximus, the ruler of Rome, while the Senate, in the name of Jupiter, blessed Hadrian and Antinous and the members of the court. 

Afterward, the streets of the city were lined with people bidding farewell to their Emperor, who proceeded in a slow and grand procession. 

Antinous would have been prominently located near Hadrian as the procession left the sacred gates of the City. Antinous would never return. And Hadrian, grief-stricken, would return a broken and embittered man. But on that hot and sunny August day, the hopes of the world went with Hadrian and Antinous as they passed through the portals of the Eternal City ....

Flamen Antonius Subia:


We pray to Our Lady Rome, mother of the world, to watch over us, and over civilization, her child, in time of danger, that the age of peace will come again.

Friday, June 6, 2025

ROSE PETALS CASCADE THROUGH OCULUS
OF HADRIAN'S PANTHEON IN ROME



AT noon this Sunday, red rose petals cascade through the oculus of Hadrian's Pantheon in Rome.

The event commemorates the ancient Roman spring festival as well as Christian Pentecost.

Rome firefighters scaled the 43-meter-high dome to pour the rose petals through the 9-meter-wide oculus "eye opening" at the top of the historic building.

The ceremony, suspended for many years, was revived in 1995. It dates back to the earliest days of Christianity when the falling rose petals symbolized flames of Pentecostal enlightenment showering down on the faithful.



Monday, April 21, 2025

HAPPY BIRTHDAY, ROMA!
By Flamen Antinoalis Antonius Subia





MATER ROMA,

Thank you for saving me from perdition,
Thank you for giving my life meaning and purpose again
Today you have given me so much joy and mystery
I don't even know what to say sometimes
About the way you work your magic over my life
But I feel your power all around me.
You are with me where ever I go,
Where ever I am...You Are There.
Wolf Mother! 
My Latin forefathers flow through my blood
My allegiance to you will never die
I give my life, my strength, my courage to defend you
...and to restore your glory.
Happy Birthday Roma!

~ANTONIUS SUBIA

HADRIAN'S PANTHEON BECOMES A SUNDIAL
FOR THE FOUNDING OF THE CITY OF ROME



THE crowds of tourists at Hadrian's Pantheon witness a spectacular light show on April 21, the anniversary of the founding of Rome, when a ray of sunlight illuminate the temple portals.

The phenomenon, similar to one on the March Equinox, is one of the mysteries that have always surrounded what lies behind the unusual design of the Pantheon, the giant temple in the heart of Rome that was built by the Emperor Hadrian.

Now experts have come up with an intriguing theory – that the temple acted as a colossal sun dial, with a beam of light illuminating its enormous entrance at the precise moment that the emperor entered the building on the anniversary of the founding of the city of Rome each April 21.

Constructed on Hadrian's orders and completed in 128 AD, the Pantheon's hemispherical dome is punctured by a 30 foot-wide circular hole known as the 'oculus'.

It provides the interior of the building with its only source of natural light and allows in rain and – on rare occasions – snow.

Giulio Magli, a historian of ancient architecture from Milan Polytechnic, Italy, and Robert Hannah, a classics scholar from the University of Otago in New Zealand, have discovered that at precisely midday during the March equinox, a circular shaft of light shines through the oculus and illuminates the Pantheon's imposing entrance.

A similar effect is seen on April 21, which the Romans celebrated as the founding date of their city, when at midday the sun beam strikes a metal grille above the doorway, flooding the colonnaded courtyard outside with light.

The dramatic displays would have been seen by the Romans as elevating an emperor into the realm of the gods – a cosmological affirmation of his divine power as he entered the building, which was used as an audience hall as well as a place of worship.

He was in effect being "invited" by the sun to enter the Pantheon, which as its name suggests was dedicated to the most important deities of the Roman world.

"The emperor would have been illuminated as if by film studio lights," said Professor Magli.

"The Romans believed the relationship between the emperor and the heavens was at its closest during the equinoxes. It would have been a glorification of the power of the emperor, and of Rome itself."

The sun had a special significance for the Romans, as it did for the ancient Egyptians.

The god Apollo was associated with the sun, and the emperor Nero was depicted as the Greek sun god Helios in a giant statue called the Colossus, which gave its name to the Colosseum.

One of antiquity's most remarkable examples of engineering, the Pantheon's fine state of preservation is thanks to the fact that it was converted into a church in the seventh century, when it was presented to the Pope by the Byzantine Emperor Phocas.

It retains its original bronze doors and marble columns, some of which were quarried in the Egyptian desert and transported by the ship down the Nile and across the Mediterranean to Rome at huge expense.

Friday, November 8, 2024

MUNDUS PATET





NOVEMBER 8th in Ancient Rome was Mundus patet: the day when the gate of the underworld is open and dead people return to us.

English: Memento Mori Roman mosaic from Pompeii representing the Wheel of Fortune. The wheel turns. Rich people (symbolized by the purple cloth on the left) become poor. Poor people (symbolized by the goatskin at right) become rich. Both conditions are very precarious. Death is in the balance. Death hangs by a thread: when it breaks, the soul (symbolized by the butterfly) flies off. And thus are all made equal.


Português: 8 de novembro na Roma antiga foi Mundus patet: o dia em que o portão do submundo está aberto e mortos voltar para nós. Mosaico romano de Pompéia representando a Roda da Fortuna. A roda gira, os povos ricos (simbolizados pelo pano roxo na esquerda) tornam-se pobres. Os pobres (simbolizados pela pele de cabra à direita) se tornam ricos. Ambas as condições são muito precárias. A morte é o equilíbrio. A morte pendura por um fio: quando quebra, a alma (simbolizada pela borboleta) voa fora. E assim são todos iguais.


Español: El 8 de noviembre en la Roma antigua fue Mundus patet: el día en que la puerta del mundo subterráneo está abierta y los muertos regresan a nosotros. Mosaico romano de Pompeya que representa la Rueda de la Fortuna. La rueda da vuelta, la gente rica (simbolizada por el paño púrpura en el izquierdo) hace pobre. Los pobres (simbolizados por la piel de cabra a la derecha) se hacen ricos. Ambas condiciones son muy precarias. La muerte es el equilibrio. La muerte cuelga por un hilo: cuando se rompe, el alma (simbolizada por la mariposa) vuela. Y así se hacen iguales.


Français : La mosaïque représente la Roue de la Fortune qui, lorsqu'elle tourne, peut faire du riche (symbolisé par l'étoffe pourpre à gauche) un pauvre, et du pauvre (symbolisé par la peau de chèvre à droite) un riche ; en effet chaque état est très précaire, la Mort est aux aguets à tout moment, et la vie tient à un fil : lorsque ce dernier rompra, l'âme (symbolisée par le papillon) s'envolera. Et tout le monde sera sur un pied d'égalité.


Italiano: Questo mosaico romano rappresenta la ruota della fortuna che, girando su se stessa, può far diventare povero il ricco (simboleggiato dalla stoffa purpurea a sinistra) e ricco il povero (la pelle di capra a destra). Ma l'equilibrio è molto precario: la morte è in agguato in ogni momento e la vita è sospesa ad un filo: quando il filo si spezzerà, l'anima (raffigurata come una farfalla sotto il teschio) volerà via. E, a quel punto, tutti gli uomini saranno uguali.


Deutsch: Das römische Mosaik repräsentiert das Glücksrad / Rad der Fortuna, das wenn es sich dreht die Reichen (symbolisiert durch das purpurrote Tuch links) arm machen kann, und die Armen (symbolisiert durch das Ziegenfell rechts) reich machen kann, aber alles ist sehr prekär, der Tod lauert zu allen Zeiten, und das Leben hängt an einem Faden: wenn dieser reißt, fliegt die Seele (symbolisiert durch den Schmetterling) davon. Und alle werden gleich gemacht.

Friday, November 1, 2024

'ANTINOUS PANTHEON' IS ANTINOUS
IN THE GUISE OF MANY GODS



WHEN Hadrian fell in love with our god, he brought Antinous to Rome and cultivated the beautiful youth into the flower of perfect manhood. 

It was during this time that the greatest building of Hadrian's reign was completed, the Pantheon, the magnificent domed Temple of All Gods. 

It was completed and consecrated in 126 AD, and Antinous was certainly present for the ceremony.

After all, he was the chosen favorite of Hadrian and attended Our Pontifex Maximus at the high altar of the only Roman Temple that has remained intact. 

At the start of our Liturgical Calendar's New Year in November we celebrate the glory of the Pantheon, and its builder, and know in our hearts that the divine spirit of Antinous fills the great sacred space beneath the dome.

When Hadrian commissioned the proliferation of images, he portrayed Antinous in the guise of many gods, all of them beautiful boys who died savage deaths for the benefit of mankind.

In these boys we see the mystery of Homo Deus, the gay god, the beautiful one who is sacrificed because his seed does not fall within that chamber from which life comes.

All these dying-boy-gods are Our God who we celebrate as Antinous Pantheon, the many-splendored god of beauty, Antinous who is All Gods, Antinous Uranus.

We offer our reverence to the full pantheon of the gods, and to the Cosmos Our Mother, through Antinous Our Love and Our Lord.

Thursday, June 6, 2024

ASTRONOMERS SHOW HOW HADRIAN
INCORPORATED THE COSMOS IN STONE



WE know that Emperor Hadrian was fascinated by architecture, astronomy and astrology and that he designed monuments to symbolically demonstrate how the Cosmos works.


Now New Zealand astronomers have helped re-create the skies above Rome for simulations showing how Hadrian built structures to align with the movements of the sun.


Waikato University researchers calculated the alignment of the sun and stars from thousands of years ago for the UNIVERSE PROJECT, for the History Channel.


The university's dean of arts and social science, Robert Hannah, said he was astounded to see how US artists and designers used New Zealand's archaeo-astronomy to create 3-D animations.


He said animation used in video games was being adapted to show how modern-day ruins such as the Pantheon were used to track the sun.


"I've seen my son play games like 'Halo', so I knew what was possible but I'd never seen it adapted to ancient world buildings."


Ball State University's IDIA Lab drew on the astronomers' research to help it simulate the Pantheon, the ANTINOEION Temple of Antinous and the Meridian of Augustus, which centered on an obelisk used as a giant sundial and calendar.


This is their walk-through of Hadrian's Pantheon:





Sunday, May 19, 2024

ROSE PETALS CASCADE THROUGH OCULUS
OF HADRIAN'S PANTHEON IN ROME



AT noon this Sunday, red rose petals cascade through the oculus of Hadrian's Pantheon in Rome.

The event commemorates the ancient Roman spring festival as well as Christian Pentecost.

Rome firefighters scaled the 43-meter-high dome to pour the rose petals through the 9-meter-wide oculus "eye opening" at the top of the historic building.

The ceremony, suspended for many years, was revived in 1995. It dates back to the earliest days of Christianity when the falling rose petals symbolized flames of Pentecostal enlightenment showering down on the faithful.



Sunday, April 21, 2024

HAPPY BIRTHDAY, ROMA!
By Flamen Antinoalis Antonius Subia





MATER ROMA,

Thank you for saving me from perdition,
Thank you for giving my life meaning and purpose again
Today you have given me so much joy and mystery
I don't even know what to say sometimes
About the way you work your magic over my life
But I feel your power all around me.
You are with me where ever I go,
Where ever I am...You Are There.
Wolf Mother! 
My Latin forefathers flow through my blood
My allegiance to you will never die
I give my life, my strength, my courage to defend you
...and to restore your glory.
Happy Birthday Roma!

~ANTONIUS SUBIA

HADRIAN'S PANTHEON BECOMES A SUNDIAL
FOR THE FOUNDING OF THE CITY OF ROME



THE crowds of tourists at Hadrian's Pantheon witness a spectacular light show on April 21, the anniversary of the founding of Rome, when a ray of sunlight illuminate the temple portals.

The phenomenon, similar to one on the March Equinox, is one of the mysteries that have always surrounded what lies behind the unusual design of the Pantheon, the giant temple in the heart of Rome that was built by the Emperor Hadrian.

Now experts have come up with an intriguing theory – that the temple acted as a colossal sun dial, with a beam of light illuminating its enormous entrance at the precise moment that the emperor entered the building on the anniversary of the founding of the city of Rome each April 21.

Constructed on Hadrian's orders and completed in 128 AD, the Pantheon's hemispherical dome is punctured by a 30 foot-wide circular hole known as the 'oculus'.

It provides the interior of the building with its only source of natural light and allows in rain and – on rare occasions – snow.

Giulio Magli, a historian of ancient architecture from Milan Polytechnic, Italy, and Robert Hannah, a classics scholar from the University of Otago in New Zealand, have discovered that at precisely midday during the March equinox, a circular shaft of light shines through the oculus and illuminates the Pantheon's imposing entrance.

A similar effect is seen on April 21, which the Romans celebrated as the founding date of their city, when at midday the sun beam strikes a metal grille above the doorway, flooding the colonnaded courtyard outside with light.

The dramatic displays would have been seen by the Romans as elevating an emperor into the realm of the gods – a cosmological affirmation of his divine power as he entered the building, which was used as an audience hall as well as a place of worship.

He was in effect being "invited" by the sun to enter the Pantheon, which as its name suggests was dedicated to the most important deities of the Roman world.

"The emperor would have been illuminated as if by film studio lights," said Professor Magli.

"The Romans believed the relationship between the emperor and the heavens was at its closest during the equinoxes. It would have been a glorification of the power of the emperor, and of Rome itself."

The sun had a special significance for the Romans, as it did for the ancient Egyptians.

The god Apollo was associated with the sun, and the emperor Nero was depicted as the Greek sun god Helios in a giant statue called the Colossus, which gave its name to the Colosseum.

One of antiquity's most remarkable examples of engineering, the Pantheon's fine state of preservation is thanks to the fact that it was converted into a church in the seventh century, when it was presented to the Pope by the Byzantine Emperor Phocas.

It retains its original bronze doors and marble columns, some of which were quarried in the Egyptian desert and transported by the ship down the Nile and across the Mediterranean to Rome at huge expense.

Wednesday, November 1, 2023

'ANTINOUS PANTHEON' IS ANTINOUS
IN THE GUISE OF MANY GODS



WHEN Hadrian fell in love with our god, he brought Antinous to Rome and cultivated the beautiful youth into the flower of perfect manhood. 

It was during this time that the greatest building of Hadrian's reign was completed, the Pantheon, the magnificent domed Temple of All Gods. 

It was completed and consecrated in 126 AD, and Antinous was certainly present for the ceremony.

After all, he was the chosen favorite of Hadrian and attended Our Pontifex Maximus at the high altar of the only Roman Temple that has remained intact. 

At the start of our Liturgical Calendar's New Year in November we celebrate the glory of the Pantheon, and its builder, and know in our hearts that the divine spirit of Antinous fills the great sacred space beneath the dome.

When Hadrian commissioned the proliferation of images, he portrayed Antinous in the guise of many gods, all of them beautiful boys who died savage deaths for the benefit of mankind.

In these boys we see the mystery of Homo Deus, the gay god, the beautiful one who is sacrificed because his seed does not fall within that chamber from which life comes.

All these dying-boy-gods are Our God who we celebrate as Antinous Pantheon, the many-splendored god of beauty, Antinous who is All Gods, Antinous Uranus.

We offer our reverence to the full pantheon of the gods, and to the Cosmos Our Mother, through Antinous Our Love and Our Lord.

Friday, April 21, 2023

HAPPY BIRTHDAY, ROMA!
By Flamen Antinoalis Antonius Subia





MATER ROMA,

Thank you for saving me from perdition,
Thank you for giving my life meaning and purpose again
Today you have given me so much joy and mystery
I don't even know what to say sometimes
About the way you work your magic over my life
But I feel your power all around me.
You are with me where ever I go,
Where ever I am...You Are There.
Wolf Mother! 
My Latin forefathers flow through my blood
My allegiance to you will never die
I give my life, my strength, my courage to defend you
...and to restore your glory.
Happy Birthday Roma!

~ANTONIUS SUBIA

HADRIAN'S PANTHEON BECOMES A SUNDIAL
FOR THE FOUNDING OF THE CITY OF ROME



THE crowds of tourists at Hadrian's Pantheon witness a spectacular light show on April 21, the anniversary of the founding of Rome, when a ray of sunlight illuminate the temple portals.

The phenomenon, similar to one on the March Equinox, is one of the mysteries that have always surrounded what lies behind the unusual design of the Pantheon, the giant temple in the heart of Rome that was built by the Emperor Hadrian.

Now experts have come up with an intriguing theory – that the temple acted as a colossal sun dial, with a beam of light illuminating its enormous entrance at the precise moment that the emperor entered the building on the anniversary of the founding of the city of Rome each April 21.

Constructed on Hadrian's orders and completed in 128 AD, the Pantheon's hemispherical dome is punctured by a 30 foot-wide circular hole known as the 'oculus'.

It provides the interior of the building with its only source of natural light and allows in rain and – on rare occasions – snow.

Giulio Magli, a historian of ancient architecture from Milan Polytechnic, Italy, and Robert Hannah, a classics scholar from the University of Otago in New Zealand, have discovered that at precisely midday during the March equinox, a circular shaft of light shines through the oculus and illuminates the Pantheon's imposing entrance.

A similar effect is seen on April 21, which the Romans celebrated as the founding date of their city, when at midday the sun beam strikes a metal grille above the doorway, flooding the colonnaded courtyard outside with light.

The dramatic displays would have been seen by the Romans as elevating an emperor into the realm of the gods – a cosmological affirmation of his divine power as he entered the building, which was used as an audience hall as well as a place of worship.

He was in effect being "invited" by the sun to enter the Pantheon, which as its name suggests was dedicated to the most important deities of the Roman world.

"The emperor would have been illuminated as if by film studio lights," said Professor Magli.

"The Romans believed the relationship between the emperor and the heavens was at its closest during the equinoxes. It would have been a glorification of the power of the emperor, and of Rome itself."

The sun had a special significance for the Romans, as it did for the ancient Egyptians.

The god Apollo was associated with the sun, and the emperor Nero was depicted as the Greek sun god Helios in a giant statue called the Colossus, which gave its name to the Colosseum.

One of antiquity's most remarkable examples of engineering, the Pantheon's fine state of preservation is thanks to the fact that it was converted into a church in the seventh century, when it was presented to the Pope by the Byzantine Emperor Phocas.

It retains its original bronze doors and marble columns, some of which were quarried in the Egyptian desert and transported by the ship down the Nile and across the Mediterranean to Rome at huge expense.

Wednesday, January 4, 2023

ENTER THE PANTHEON IN ITS PRIME
AND SEE IT JUST AS ANTINOUS DID



NOW you can walk through Hadrian's Pantheon and marvel at its grandeur just as Antinous did soon after it was built.

A brilliant new simulation by BSU’s IDIA Lab represents the Pantheon and its surrounds as it may have appeared in its heyday. 

Visitors to this VIRTUAL PANTHEON can tour the vicinity, learning about the history, function and solar alignments through an interactive heads up display created for this project. 

True to its name, the Pantheon was a temple to all the major Roman deities. The statues displayed in this simulation represent a possible configuration and are scanned via photogrammetry.

The buildings surrounding the Pantheon are built and interpreted by IDIA based on the large scale model of ancient Rome built by Italo Gismondi between 1935 and 1971. The model resides in the Museo della Civiltà Romana, just outside of Rome, Italy.



Tuesday, November 1, 2022

'ANTINOUS PANTHEON' IS ANTINOUS
IN THE GUISE OF MANY GODS



WHEN Hadrian fell in love with our god, he brought Antinous to Rome and cultivated the beautiful child into the flower of perfect manhood. 

It was during this time that the greatest building of Hadrian's reign was completed, the Pantheon, the magnificent domed Temple of All Gods. 

It was completed and consecrated in 126 AD, and Antinous was certainly present for the ceremony.

After all, he was the chosen favorite of Hadrian and attended Our Pontifex Maximus at the high altar of the only Roman Temple that has remained intact. 

At the start of our Liturgical Calendar's New Year in November we celebrate the glory of the Pantheon, and its builder, and know in our hearts that the divine spirit of Antinous fills the great sacred space beneath the dome.

When Hadrian commissioned the proliferation of images, he portrayed Antinous in the guise of many gods, all of them beautiful boys who died savage deaths for the benefit of mankind.

In these boys we see the mystery of Homo Deus, the gay god, the beautiful one who is sacrificed because his seed does not fall within that chamber from which life comes.

All these dying-boy-gods are Our God who we celebrate as Antinous Pantheon, the many-splendored god of beauty, Antinous who is All Gods, Antinous Uranus.

We offer our reverence to the full pantheon of the gods, and to the Cosmos Our Mother, through Antinous Our Love and Our Lord.

Tuesday, August 2, 2022

ANTINOUS IN ROME FOR THE LAST TIME



IMAGINE the spectacular send-off that Antinous and Hadrian received on that day in early August, 128 AD, when they left Rome on their three-year tour of the Eastern Empire.

It would be a fateful journey from which Antinous would never return. This was the last time he would ever see Rome in all its splendor.

Before leaving Rome, the Senate, Pontiffs, Flamenes, and all priesthoods, were summoned by Hadrian to the Pantheon, and there they conducted a solemn ceremony of benediction and safekeeping, for the benefit of the Emperor, for the City and for the World. 

With Antinous at his side, Hadrian announced his purpose for leaving Rome and journeying to the provinces. 

He enumerated his plan to improve the cities of the east, detailing his building projects, and the social, political reforms that would be enacted. 

Hadrian then made sacrifice to Jupiter Optimus Maximus, the ruler of Rome, while the Senate, in the name of Jupiter, blessed Hadrian and Antinous and the members of the court. 

Afterward, the streets of the city were lined with people bidding farewell to their Emperor, who proceeded in a slow and grand procession. 

Antinous would have been prominently located near Hadrian as the procession left the sacred gates of the City. Antinous would never return. And Hadrian, grief-stricken, would return a broken and embittered man. But on that hot and sunny August day, the hopes of the world went with Hadrian and Antinous as they passed through the portals of the Eternal City ....

Flamen Antonius Subia:

We pray to Our Lady Rome, mother of the world, to watch over us, and over civilization, her child, in time of danger, that the age of peace will come again.