ON May 14th, the Religion of Antinous honors the life of the Father of Gay Liberation, Doctor Magnus Hirschfeld, who died on this day in 1935 (which was his 67th birthday) while in exile form his native Germany in Nice, France. He died a broken and embittered man.
A life that had started out with such lofty ambitions ended in disillusionment. He was of Jewish ancestry and began his career as a medical doctor but very soon devoted his life to the study of homosexuality.
In 1897 he founded the Scientific Humanitarian Committee, which was an organization whose publication, called The Yearbook of Intermediate Sexual Types, was devoted to the repeal of "Paragraph 175", a law passed by the Reichstag in 1869.
The work of the committee included ongoing lobbying supported by the scientific studies of Dr. Hirschfeld into human sexuality. This study culminated in the formation of the Institute for Sexual Science in 1919.
Dr. Hirschfeld spent the majority of his career writing and lecturing around the world on the nature of homosexuality and other "intermediate" sexual types, including cross dressers. The word "transsexual" was coined by Dr. Hirschfeld to describe the phenomenon that he argued was a natural extension of human sexuality.
His philosophy centered on the contention that there was a third sex, called the Uranian, which was neither male nor female, but a combination of both that was manifested in homosexuality, which was not to be considered an impure deviation, or even as an illness, but as a natural and phenomenal component of human nature.
For his work, the Nazis targeted Dr. Hirschfeld as an example of decadent Bolshevistic/Jewish influence infecting the purity of the German people, luring the Aryan race into impure and destructive perversity. He was ultimately driven into exile and burned in effigy as an emblem of evil. His institute was ransacked May 6th and his books were publicly burned in a bonfire on May 10th, 1933.
The slogan with which he began his speeches, "Uranians of the World, Unite!" was not to be realized until our own time. For his courage and his career of some thirty years, all of which was spent in tireless devotion to the cause of Gay Liberation, we venerate Saint Magnus Hirschfeld.
Thursday, May 14, 2026
MAGNUS HIRSCHFELD
SAINT OF ANTINOUS
SAINT OF ANTINOUS
Wednesday, May 13, 2026
WE OFFER GARLANDS OF FLOWERS
AT THE FESTIVAL OF NEPTUNE
AT THE FESTIVAL OF NEPTUNE
Tuesday, May 12, 2026
ΑΝΤΙΝΟΟΙ ΗΡΟΙ
(TO ANTINOUS THE HERO)
(TO ANTINOUS THE HERO)
HERE IS an Antinous image rarely seen, but which I love.
Let me first call attention to the wonderful way that his name is written, combining the second two letters.
I love it...too bad it has been defaced...because I love the body and the stance.
And I would say that this is the only Antinous shown holding a spear. Historical record states that Antinous hurled an adamantine-tipped spear at a man-eating lion in Egypt ...
It was found in the ancient Roman stadium in the city of Plovdiv in Bulgaria, called Philippopolis in Roman times.
Games were held in Philippopolis like those in Greece. The games were organized by the General Assembly of the province of Thrace.
This marble slab was found during excavations at the stadium proving that there were games celebrating Antinous. Games in honor of Antinous were held in ANTINOOPOLIS and in numerous other cities in the Eastern Empire.
This votive tablet dedicated to Antinous is exibited in the PLOVDIV ARCHAEOLOGICAL MUSEUM.
The inscription on the slab reads:
On a number of coins of Antinous, he is honored as a hero. Syncretism of Antinous with locally relevant heroes of various types is certainly a likely thing to have occurred.
Even Hadrian himself honored Antinous as a hero in at least one location: the temple founded in Socanica, Dalmatia (modern Croatia), which was co-founded with his adopted heir, Aelius Caesar, in 136 AD.Of the various classes of divine being that existed for the Greeks, heroes are an interesting option. Gods are gods, and demigods are often born of a god and one mortal parent.
Many heroes seem to have started out as strictly mortal. Whatever the cultic or theological reality may be in each individual case, perhaps the main distinction is that most gods have a timeless and almost eternal quality about them, whereas heroes have a beginning and an end in death, but a very glorious afterlife.
Some heroes such as Hercules were eventually deified. The same happened in the case of "Antinous the Hero," who underwent apotheosis and became "Antinous the Good God."
There always seems to be something new to learn about Antinous.
There always seems to be another image, another bust, even another statue, such as the "Dresden Antinous" shown here, which Priest Julien and I were honored to see at the GETTY VILLA MUSEUM, where it was painstakingly restored before being returned to Germany...
There could well be others hidden away in private collections ....
Sunday, May 10, 2026
THE TWO LOVERS OF ANTINOOPOLIS
ON MAY 10th the Religion of Antinous honors two men we call the Two Lovers of Antinoopolis who lived in the Sacred City of Antinoopolis and who worshiped the Beauteous Boy and whose joint portrait is one of the great mysteries of Egyptology.
This round portrait, called a "tondo" because of its circular format, was used as a face plate on a mummy. The vicinity of Antinoopolis and the Fayoum Oasis region is famous for hundreds of such mummy portraits which give us a priceless look at how the residents of the Sacred City actually looked. It is believed these were portraits which had hung in people's homes and which were interred with the deceased, as a reminder to their Ka about who they were in mortal life.
The tondo is unique, though, because it shows two faces. Archaeologists have no explanation as to why anyone would want the face plate on a mummy to show two men's faces. The conventional explanation is that they were perhaps brothers and when one of them died, his surviving brother insisted on burying him with their joint portrait to show his fraternal love.
But one glance at the portrait shows that the two men bear little resemblance to each other.
Even more striking is the difference in skin coloring. Throughout Egyptian art, males were portrayed as having typically ruddy-brown skin and girls and women as having creamy colored skin ... that was the iconic rule in Ancient Egyptian art. The skin colors do not represent the ACTUAL skin tones of the people, just as the idealized features of pharaohs don't reflect how they actually looked.
In Ancient Egyptian art, even if two individuals appear to be identically dressed with wigs and flowing robes, you can distinguish gender roles by skin color.
Ruddy skin means male. Creamy skin means female.
That makes it all the more interesting to look at the Tondo of the Two Lovers, because one man has dark "male type" skin coloring and the other man has very light "female type" skin coloring. Such contrasting skin coloring traditionally was used only for married male-female couples in Ancient Egyptian art.
Even when the hairstyles and clothing are barely indistinguishable in Egyptian art, the difference in skin tones is a gender-role clue. Any Egyptian would instantly register the visual "pun" and would think it no accident.The artist who painted the Tondo of the Two Lovers appears to have been giving us a clue as to the relationship between the two men.
The Tondo has been dated between 130-150 AD which would place them as nearly contemporaries of Antinous, living in His Sacred City in the first bloom of the Religion of Antinous. French architectural historian Jean-Claude Golvin painted this stunning rendering of Antinoopolis at its height.
But of even more significance are the small images of Greco-Egyptian gods placed above their shoulders. The darker man is guarded by a figure which some experts identify as Hermanubis, a god of the underworld adored in the nearby city of Hermopolis. His name is variously interpreted as "Hermes/Anubis" or "Horus-as-Anubis", depending on whether you read the Latin or the Egyptian spellings.
The cult of Hermanubis was on the rise in Rome at this time and he was interpreted as a solar deity who (like Hermes/Mercury and Horus) led the dead through the darkness to everlasting sunlight. A crack runs through the figure, however, making its identity somewhat unsure. At one point Hermanubis had a large cult following in Rome itself and his face graced Imperial coins. But his cult was suppressed almost as quickly as it rose, for moralistic reasons which are hard to reconstruct.
The lighter skinned and more beautifully dressed boy is watched over by Antinous, the patron god of Antinoopolis, who grasps a Dionysiac scepter and who wears the SWTY (Two Feathers) crown of divinity symbolic of his many-faceted Sacred Powers. It is ironic that the Christians later suppressed the cult of Antinous for moralistic reasons, just as the cult of Hermanubis had been suppressed by the Romans. Was there a sexual/moral connection between the two cults?
At any rate, this makes the Tondo of the Two Lovers the only portrait painting of Antinous to have survived, and the only image of two probable followers of HIS religion.
The faint inscription beneath the image of Antinous reads 15 Pachon, which is a date in the Greek calendar that corresponds to the 10th of May. No one knows what the significance of this date might be. An anniversary, perhaps.
The younger figure is wearing a splendid red wrap held in place by an impressive amethyst brooch in a gold setting ... a family heirloom perhaps. The artist has gone to pains to render it perfectly. The embroidery on his white tunic is very fine. An oriental swastika good-luck charm is stitched into his right sleeve.
Perhaps the portrait was commissioned for the day (May 10th) when he donned his manly robes for the first time on his 16th birthday, as was the Roman custom. The peach-fuzz on his face gives him the appearance of an adolescent.
The older man (who could 30-something) stands behind him, as if symbolically showing his love and support of his young companion. He could be an older brother or uncle. He could even be the youth's father ... life expectancy was shorter then, and people married early in those days and were grandparents by their mid-30s.
But just perhaps the composition and skin-tone nuances are subtle clues by the artist that these two men shared an older-man, younger-man relationship ... a Classical Greek-style erastes/eromenos relationship ... similar to that of Hadrian and Antinous. After all, this city was founded on Hadrian's love for Antinous.
The Temple of Antinous honors these two men on May 10th ... the day which was so special to them, for reasons known only to them and to the gods they worshiped ... Hermanubis and Antinous!
Saturday, May 9, 2026
GHOST OF AN ANCIENT ROMAN SOLDIER
'STILL PATROLS HADRIAN'S WALL'
'STILL PATROLS HADRIAN'S WALL'
THE AQUARIUS THIRD QUARTER MOON
THE FORUM MOON
THE FORUM MOON
THE ANCIENT Priests of Antinous were known for making oracles, taking auspices and casting magical prayer spells. The Phases of the Moon were vitally important, especially since Antinous was worshiped as a Lunar Deity. Each major phase of the moon had a specific oracular significance.
Each Lunar Phase occurs at a particular time of year and represents a particular archetypal astrological meaning.
Tonight's AQUARIUS THIRD QUARTER MOON comes on the heels of last week's SCORPIO FULL MOON and a week prior to the upcoming GEMINI NEW MOON. In the Religion of Antinous we call this Lunar Phase THE FORUM MOON, named for the Roman Forum.
Each Lunar Phase represents a Divine Spirit or Archetype. The Spirit of the FORUM MOON is the Spirit of the Public Person. This is the Mood and Spirit of a city, neighborhood or work place. It is the combined Spirit of all the people who inhabit that place and indeed the very Spirit of the place itself.
This is the best Lunar Phase of the year for oracles or spell work involving interaction with groups or a public setting. Gathering place. Club. Work place. Any place where numerous people gather. It is also the best moon for rituals focusing on parks, gardens and the outdoors in general, such as working rituals for protecting a back garden or outdoor venue.
It is also the best moon for working spells involving "strangers," by which we mean people outside your immediate circle of family and close friends. The Environment. Crowds. Society at large. Stage. Audience. It represents strangers and crowds. People you work with.
It represents your interaction with the world beyond your doorstep. It is the world at large. It is Internet groups and forums. It is the company you work for. It is schools and hospitals. It is the perfect Lunar Phase for for what Chaos magicians call cyber-magic.
IT'S RUBIES FOR THE FORUM MOON
By Our Crystal Meditation Advisor Martin Campbell
By Our Crystal Meditation Advisor Martin Campbell
OUR astrological expert Hernestus describes the Aquarius Third Quarter Moon as the FORUM MOON perfect for oracles or spell work involving interaction with groups or a public setting - any place where numerous people gather, especially gardens and parks.
Love and Light,









