Tuesday, November 29, 2022


WE all know that the Ancient Egyptians believed you can take it with you ... that death does not mean you have to part with everything that was important to you in life ... but few people today understand that there was a far more sophisticated spiritual interpretation.

Yes, of course, the simple folk believed that you literally took things with you to the afterlife ... mummified body, ushabti figures, food, clothing. There was a huge industry specializing in tomb furnishings,  mummification and supplying the dead with sustenance.

But the material goods in tombs were only symbolic of a far richer, and spiritually deeper understanding of "taking it with you" after death.

The curious-looking winged snake on the papyrus 
of the 19th Dynasty scribe Amenemwija in Berlin's Egyptian Museum hints at that far deeper spiritual meaning.

The deity is called "Nehebkau" (Harnesses KAs) ... and he is poised in front of the deceased ... taking in the every spiritual essence (KA) that the deceased wants to take with him in the afterlife.

November 29th was one of this deity's feast days.

The Egyptians believed you give up only those things you don't want to take with you ... you take anything and everything else which you deem worth saving for eternity.

Nehebkau represents an advanced spiritual element. In computer parlance, he "downloads" the spiritual essence or "KA" of everything you want to have with you ... and Nehebkau defrags and condenses everything for instant retrieval.

The "KA" is the spiritual essence of everything. Each human has a main KA plus many subsidiary ones. Everything has at least one KA ... every blade of grass, every object, every animal ... everything.

Nehebkau literally takes all the KAs of the person and all the KAs that the person wants to have with him/herself in the afterlife ... all friends, memories, pets, pleasant experiences, houses, furnishings ... the spiritual essence of EVERYTHING ... and then he "downloads" them by swallowing them into his slender serpentine body ... and condenses them like zip files and defrags them and compacts and configures them all into an infinitely small corner of his infinitely vast mind ....

It is important to point out that this does not mean that the dead person drains the life force from all friends and family and leaves them empty. It does not mean they all have to die to accompany the deceased.

Instead, it is exactly like "downloading" the essence of the persons or objects. The persons and objects themselves remain intact ... their spiritual essence is unaffected ... but Nehebkau has downloaded the spiritual essence to accompany the deceased.

Nothing is diminished. Nothing is lost. The KA is copied and saved and filed away.

And in the afterlife, the deceased retrieves any and all docs, jpegs, YouTube URLS and files ... eternally fresh and alive ... for all eternity.

We tend to buy the Judaeo-Christian idea of ashes-to-ashes, dust-to-dust which means that we must "let go" while our loved ones, memories and treasures all crumble away and end up on the conveyor belt of the garbage incinerator ... like the final scene from a "Toy Story" movie.

Or we opt for the Eastern idea that you become one with the universe and everything dissolves away into one-ness ... no self, no ego, no death, no suffering, no end to suffering, no end to death ... etc. ... like the final scene of a movie about Tibetan monks and a little boy from Seattle.

These scenarios would have been appalling to the Egyptians. You take whatever and whomever you want along with you into the afterlife ... no carry-on bags necessary ... everything is neatly defragged and compressed and configurated and stored away in the infinitely vast mind of Nehebkau.

Yes, all of your earthly friends, pets and possessions will crumble away ... but their spiritual essence has been downloaded as a back up for you to keep with you ... for all eternity ... thanks to Nehebkau.

Monday, November 28, 2022


ON November 28th the Religion of Antinous honors Saint Jean-Baptiste de Lully, who was born on this day in 1632 in Florence, Italy. 

Parlaying his looks, his dancing and his musical genius into an erotic/artistic career, he rose from being a scullery knave to becoming director of music in the Court of French King Louis XIV. 

By the time he died on March 22, 1687, he had created a new art form and had changed the course of the performing arts forever.

Lully's story has some parallels to the story of Hadrian and Antinous. The parallels are not exact. It is more as though Lully and Louis XIV were a "parallel universe" story of Antinous and Hadrian with bizarre twists thrown in to the plot of the story.

Lully was totally dependent upon the Sun King and was totally devoted to him. When the king expressed a whim to learn to dance, Lully became his dance instructor, creating a whole new art form involving dance and song.

Quite aside from his infamous carousing with boys, Lully was desperately in love with Louis XIV. It was an impossible love, of course. It could never be consummated.

The king viewed Lully as his artistic mentor, but nothing more. Lully viewed the king as the love of his life, and his art was merely an expression of that love.

Unwittingly, Lully planted the seeds for his own doom. Others took his idea and developed it further: And Opera was born.

The king became infatuated with Opera and totally lost interest in Lully's Baroque stage productions. He forgot all about Lully.

For Lully, that was tantamount to death, and he soon died as the result of a tragic "accident" -- he plunged a sharp baton-sceptre through his foot in a rage of despair after the king failed to appear at the debut of his latest masterpiece.

The wound became gangrenous, but when physicians advised that the foot must be amputated, St. Jean-Baptiste refused, saying that if he could never dance again, then he would prefer to be dead.

Yes, his life was like some nightmare, parallel-universe version of the Hadrian and Antinous story, set against the backdrop of men in silk brocade costumes and in four-inch heels and wearing ornate wigs. It is a story of a man's unconditional love and self-sacrifice for his Sun King.

St. Jean-Baptiste de Lully had a deep fondness for the Roman Gods, and he portrayed them with the gay flourish of the the court of the Sun King. It remains a style all its own, completely out of fashion...even among classical music weirdos.

We adore St. Lully's music...we adore the grace and profound emotions that pour from his chords. We love the beauty of his style of dance.

No doubt when Monsieur St. de Lully arrived at the Divine court of Hadrian the God, he immediately set about rearranging the Imperial Orchestra, replacing the Ney Flutes with Bassoons and Oboes, dismissing the Cythara in favor of Violas de Gamba.

Perhaps the old Greek musicians might have taken insult at being swept aside, but with a wave of his hand...Antinous calmed them.

So it was that the celestial Imperial Orchestra performed the new opera Of Saint Jean-Baptiste de Lully. The Imperial Court was astonished to hear the new sound. Even the Greeks were amazed (and the Greeks had heard everything). And With a wreathed nod of his illuminated head, Hadrian enthroned commanded his beloved Antinous to dance.

Sunday, November 27, 2022


AN astrologer casting the natal horoscope for newborn Antinous, on 27 November 111 AD, would have told his proud parents the following:

"He will be handsome, attractive and have an uncommonly well proportioned body and amiable disposition."

As the baby's mother smiled and nodded (image here by Priest Uendi), the astrologer would be encouraged to go on: 

"And because Jupiter was well aspected to Venus as his mother gave birth to him, little Antinous will one day become the friend of a king ... favored for his great beauty ... and in general will be favored with fortune over all his peers."

All of those things are listed in the standard textbook used by astrologers in the 2nd Century AD ... the "Mathesis" by Julius Firmicus Maternus.

The astrologer would be reading word-for-word from the textbook for a child born whose Rising Sign was 19 degrees Aquarius.

But the textbook has more to say ... and the astrologer might have been forgiven for conveniently "forgetting" to mention the next sentence couple of sentences:

"He will be one of the exoleti (sexual inverts), a sodomite who engages in irrumation," the textbook says. "And though generally fortunate, he will die in the first blush of young manhood."

Modern-day astrologers no longer use the Ancient Roman "Mathesis" textbook ... not as a rule ... although it is right on the mark in this case. 

But just like the ancient soothsayer, a modern a modern astrologer sees a bright and vivacious young man who stands out from all the others when he walks into a room. 

His sunny disposition is enhanced by the fact that the sun was high overhead in optimistic Sagittarius ... in conjunction with his Mid-Heaven.

His Aquarius Ascendant gives him a slight aloofness and appearance of being above it all. Yet Aquarius Rising also enables him to charm large crowds and impress others with his interest in a broad array of subjects. He can talk about almost anything with a degree of authority and interest.

Jupiter is at right angles to Venus, creating an exuberant personality ... a person who love to party ... loves excess ... someone who is generous to a fault, handing out money and favors as if there is no tomorrow.

Venus is in the House of Death, suggesting a willingness to die for love ... though, again, this is not something an astrologer would necessarily tell parents of a newborn.

Saturn is stranded in the First House, which speaks of a dour longterm future. But it is well aspected to Mercury, which is in Scorpio in the Ninth House, the House of Religion.

People with Scorpio Mercury do not hesitate to tell the unvarnished truth. They ferret out secrets and love to cast light on hidden truth. 

Hadrian must have loved Antinous in large part because Antinous invariably told him the truth, unlike all the other sycophantic and toadying courtiers.

The Moon was aligned with Mars in Aries the day Antinous was born. It must have been a stunning sight to go outside that evening and see the waxing First Quarter Aries Moon with a bright red star next to it ... Mars in conjunction.

People with Moon/Mars conjunction in Aries are such hot and fiery personalities that they can literally feel warm. They sleep without covers in the coldest weather. 

They throw of unnecessary clothing. They are hot and passionate. They are quick to blow off steam, but also quick to forgive and forget.

People with Moon/Mars aligned in Aries are also liable to take unnecessary risks. They live fast ... they burn the candle at both ends ... they do not fear death.

Those are the major aspects that an ancient astrologer would have seen in this natal chart.

But there would be aspects of this natal chart which would have been "invisible" to a 2nd Century astrologer ... but which leap out from the computer screen at a 21st Century astrologer. Look at the chart on this page and you notice multiple triangles overlaid on top of each other.

A total of Seven Grand Trines form the backbone of this extraordinary birth chart ... but they involve the planets Uranus, Neptune and Pluto ... which were not discovered until the dawning of the Age of Aquarius.

These slow-moving outer planets rarely form aspects with one another ... centuries pass before they form aspects. 

Uranus and Neptune were in alignment when Antinous was born ... Uranus and Neptune were in alignment in the 1820s when the decipherment of the Rosetta Stone helped to spawn "Antinomania" and revive interest in Antinous.

And Uranus and Neptune were aligned again in the late 1980s and '90s ... when the Modern Religion of Antinous was awakened.

A modern astrologer looks at those Seven Grand Trines ... involving Moon/Mars, Pluto, Uranus and Neptune ... and instantly sees that this person was born at an extraordinary moment in time ... when the planets were signaling a dramatic and sudden turning point.

This baby boy would become the last Classical deity. It is in his birth chart.

One final note: Hadrian was obsessed with horoscopes and would have studied the birth chart of Antinous in detail. After Antinous died, Hadrian discovered a star in the Constellation of Ganymede equivalent to the last decade of Capricorn.

Hadrian called it the Star of Antinous and he renamed the star group the Constellation of Antinous. The new star was located where Jupiter had been on the day when Antinous was born. The Star was forever linked with his natal Jupiter.

In FIXED STAR ASTROLOGY the natal conjunction of Jupiter and the Star of Antinous represents: "Great good fortune in wealth, fame, success ... but with constant threat of loss. Spiritual and religious authority and influence."

In Ancient Rome, Jupiter symbolized the Emperor ... so that Antinous was forever linked with Hadrian ... shining together ... for all eternity.


"THE most salient feature about Antinous, and the thing that makes our religion different from others, is that Antinous was a mortal human being who actually lived," said Antonius Subia in global Zoom ceremonies this weekend celebrating the birthday of Antinous.

Speaking from the Hollywood Temple of Antinous to celebrants taking part from North and South America, Europe and Africa, he noted that we know his birth date ... 27 November ... and we know what he looked like from countless statues.

"He was a human being just like you or me," Flamen Antonius said. "He was not some ray of light of divine perfection. He was a person with faults and failings just like any of us. And yet he became the last deity of the Classical era ... we know he lived ... and we know he became a god."


ANTINOUS was born on this day, November 27th in the year 111 AD — 1,911 years ago!

Festive celebrations are being held by worshipers all over the world, with special rites being conducted at the HOLLYWOOD TEMPLE OF ANTINOUS.

Antinous was born in the Bithynian city of Claudiopolis, modern-day Bolu in Turkey.

It was a major city in those days with a Hellenistic/Roman heritage dating back centuries. It was nestled among snow-capped peaks and woodlands full of wild beasts and full of mythical magic.

The portrait of the newborn baby Antinous and his mother against the backdrop of a Bithynian conifer forest is by PRIEST JULIEN, a New York artist who now lives in Hollywood.

Modern Claudiopolis/Bolu is a sleepy health resort. Not too many foreign tourists go there, but the area is a popular with Turkish vacationers because of its pine-covered mountains and its sparkling lakes and spa waters.

The altitude makes it refreshingly cooler than lower-lying regions, so Turks go there to get away from the heat and noise of places like Istanbul and Ankara.

Wikipedia says: "Local specialities include a sweet made of hazelnuts (which grow in abundance here) and an eau-de-cologne with the scent of grass. One feature of Bolu dear to the local people is the soft spring water obtained from fountains in the town."

Hazelnut candy? Grass-scented cologne? Amazingly soft spring water? Somehow that one little paragraph makes it sound like a place where Antinous would have to have been born.

The area where Antinous was born is a beautiful place, nestled high in piney forests and yet only a short distance from the sparkling Black Sea coast about halfway between Istanbul and Ankara.

The region is teeming with bountiful wildlife and so Hadrian and Antinous went on hunting forays while in Bithynium. As a boy, Antinous must have played in these forests and bathed in these sparkling lakes.

He would have remembered these boyhood days during his travels with Hadrian to the far corners of the Empire. We often forget that Antinous had a family who must have loved him and missed him. They were no doubt proud of him, but they missed him.

And he missed them as he also missed his lovely Bithynia with its mountains and lakes and deep forests which, in winter, are covered in deep snow.

The first snows may have already fallen "back home" at the end of October in 130 AD when Antinous stood on the banks of the Nile in Upper Egypt. Perhaps he had received a letter from home with the latest family gossip and news of the first snowfall. He would have remembered the scent of pine forests and fresh-fallen snow.

As he looked into the green waters of the Nile in far-away Egypt at the end of his brief life, perhaps he thought of "home" and lakes and dark forests and pine cones and the scent of hazelnuts being roasted and mixed with rose water and honey to make candy.

November 27th is an introspective moment ... an evaluation of things past ... and things to come. And above all, it is birthday party time. Let the Festive Season Begin with an Antinous Birthday Party!

Saturday, November 26, 2022


IN celebration of the Birthday of Antinous, I would like to introduce a new Antinous image who has remained unknown for some reason.

I was first introduced to him by Francisco de la Maza In his wonderful book "Antinoo, El Ultimo Dios del Mundo Classico."

I recently found this small bronze statuette during my sacred pilgrimage to Berlin. 

The name of this image is the "Antinous Dahlem," named for a museum in the Dahlem district of Berlin. But I spotted him in a glass case in Berlin's Altes Museum.

He is a small bronze figurine now found in that Berlin Museum. The museum label refers to him only as "Figure 3" without any elaboration of any kind. But he is definitely the elusive "Dahlem Antinous" as you can see by the photos below which I took myself.

He is truly one of the most beautiful of all Antinous images in the world.

May the Antinous Dahlem bless us with his presence in our hearts,

May he be reborn this day as we celebrate the birth of our beloved god.

Ave Antinous!

Friday, November 25, 2022


ON 25 November 1610 French astronomer Nicolas-Claude Fabri de Peiresc (Peiresc) discovered the Orion Nebula and coined the term "nebula". 

The Ancient Egyptians equated Orion with Osiris ... the rise of the Orion Constellation and dog star Sirius coincided with the Nile Inundation ... symbolized by Osiris rising from the dead.

Like Osiris, Antinous died in the Nile and rose to divinity. The first miracle of Antinous was the bountiful Nile Inundation in 131 AD which ended a long drought ... bringing life from death.