NEPTUNE IN ARIES 2025-2039

ON March 30, 2025, Neptune, the planet of dreams, illusions, spirituality, and creativity, moved into Aries for the first time in 165 years and to remain there until it enters Taurus in 2039. Neptune's move creates ripples in the collective consciousness and sets up a new generational cycle to work with. Over the coming decade, we will begin to see the manifestation of Neptune’s move into Aries and how it is shifting the fabric of our being.

It is a little-known fact that Antinous was associated with Neptune (or Poseidon as he was known to the Greeks) in a gay context.

Coins minted by a priest of Antinous at Corinth named Hostilius Marcellus (from whom our own Julien Hostilius Marcellus takes his priestly name) show Antinous as Neptune/Poseidon.

It is a reference to the myth that Neptune became enthralled with another sea god, Nerites, who was said to be the handsomest of all males on Earth, in the Heavens or in the Seas.

The sexual union of Poseidon and Nerites produced Anteros, god of requited love.

In those days, few people could read or write.

But everyone knew these myths. So anyone who held one of these Antinous/Poseidon coins could "read" the gay symbolism.

Neptune is the planet of spirituality and higher consciousness, and as it moves through Aries, we may start to focus on our identity and who we are away from the collective. There could be a tendency to get stuck in our ego identity, but this may be part of the process of uncovering more of our authentic selves.

Neptune in fiery Aries can also make us more proactive when it comes to pursuing our goals and wishes. We may feel more confident to push forward on something and start new projects that call to us.

Aries is the first sign of the zodiac and the leader. It is keen to start new things and plant new seeds and with Neptune here, we may very well feel that a new approach is important.

Neptune moving into Aries can create themes that we can see playing out in the world around us. One of the most notable events that happened the last time Neptune was in Aries, over 165 years ago, was the American Civil War. Ideologies were changing, and people were willing to stand up for what they believed was right, even if it meant going against their own country.

This is not to say the same thing is going to happen again, but we could definitely see echoes of people feeling the need to stand up and defend what they feel is right.

Aries is a very masculine, action-based sign that is not afraid to soldier forward, however it can also be ego-driven at times too, and this is something we may need to be mindful of.

Who are we separate from the identity that society has given us? After all, we are not really our names, our jobs, or our country. We are so much more than these labels, and this is an explorative journey we are likely to find ourselves taking.

As Neptune’s energy can sometimes cast a veil, we may also find ourselves questioning what we believe to be true. Our attitudes may become more self-centered, but this is not necessarily a bad thing. In many ways, we will be able to shift away from the voices of the collective and start to tune in to how we really feel or how we really see things. Like with all things, there is a balance to create, but listening to our own instincts and following the truth from within will be our guide.

THE SACRED BOAR HUNT

AT the March Equinox the Religion of Antinous commemorates the Sacred Boar Hunt.

In our Liturgical Calendar, it is the day when Hadrian and Antinous arrive at the sacred city of Bithynium/Claudiopolis, the home of Antinous, in the spring of the year 129 AD.

Imagine the jubilant welcome they must have received as the city's populace turned out en masse (including all of the extended family and acquaintances of Antinous) to see the imperial entourage with Hadrian and Antinous at the forefront.

The region is teeming with bountiful wildlife and so Hadrian and Antinous went on hunting forays while in Bithynium.

The Boar Hunt had deeply mystical symbolic meaning for Hadrian, as exemplified that it was elevated to mythic proportions for use in public monuments.

The image above shows Hadrian and Antinous (looking backwards) during the Sacred Boar Hunt, immortalized on the Arch of Constantine in Rome.

Flamen Antonius Subia explains the mythic symbolism this way:

In ancient times, boys would enter the forest armed only With a spear to test their courage as young men 
So it was that Antinous went with Hadrian
To hunt the wild boar of Phrygia, to test his manhood
The boar symbolizes strength, courage, honor, & truth
And was an emblem of warriors and of fearlessness
The Boar is sacred to the beautiful hunter god Adonis
Whom Venus so loved that she chased after him through Briars and thorns, and when he was killed by the Boar, Which was her jealous lover Mars in disguise
She compelled the world to mourn his death
Her love for Adonis was so strong that she brought him 
Back from the underworld again for half the year.
The Boar is the emblem of the fertility god Freyr
Whose mighty phallus purifies and protects the fields
The Boar is sacred to the sun god Belenus
Of the Cisalpine Gauls, of whom there is an inscription From Hadrian’s Villa that reads:
“Antinous and Belenus are equal in age and beauty
For this reason Antinous is also be worshipped like Belenus appropriately, by Quintus the Sicilian”
We praise the god Belenus, whose bonfires protect us
From the malevolent spirits of darkness and chaos
The beautiful Sun God Belenus is Antinous of the North
We praise Antinous as Mercurius, the son of Maia
Maia is the Bona Dea, leader of the Pleaides
She is the bringer of goodness and plenty of summer
We praise Diana the Huntress and ask her blessing
On this night of the Sacred Boar Hunt
May the Strength of the Boar be with us
May the Power of the Boar be with us
May the Courage of the Boar be with us
In celebration of Antinous the Hunter
We now consume the meat of the Sacred Boar
So we may be blessed
Ave Antinous – Adonis
Ave Antinous – Freyr
Ave Antinous – Belenus
Ave Antinous – Mercurius
May flesh of the Sacred Boar give us his blessing
Ave Antinous Venator!

~ ANTONIUS SUBIA

WE HONOR ANTINOUS/MARS

WHEN the Sun enters the Sign of Aries at the March Equinox, we honor Antinous in his special guise as Antinous/Mars.

Mars, God of War, son of Jupiter and Juno, father of Romulus and Remus, founders of Rome, was the divine spirit of the Roman Army whose legions subjugated the world.

His power ran like molten steel in the blood of Romans who he made them invincible.

The ram was sacred to him, and thus the sign of Aries was devoted to him, as it was in the early spring, after the fields were sown and before the harvest that the men went to war.

Originally Mars was an agricultural deity, whose duty was to protect the fields from marauders. But he soon became an aggressive conqueror, whose sacred spears were ritually shaken by the Flamen Martialis when the legions were preparing for war.

He had twin sons who accompanied him and went before the armies in battle, their names were Phobos and Deimos, fear and panic.

He was the illicit lover of Venus, and it is said that they were the co-creators of Rome who through war brought love and peace to the whole world. It was in this spirit that Hadrian worshipped the pair.

Mars is the great spirit of masculinity, the violent, courageous power of the male sex, the penetrator and subjugator.

His emblem, an iron spear, is a symbol for the phallus, and so it is that Mars is the great potent Phallus of Man, the impregnator.

In this sense he is venerated as the warrior within all men, and as our most extreme, animalistic, carnal, aggressive nature.

He is the conqueror of winter, the dominator of spring, the protector of life, and the bringer of death.

He is war and fury, selflessly courageous, for the protection of the weak and for the defeat of the strong.

Mars never surrenders, and this is why Venus is so mad with lust for him, and why we adore him as our protector.

CHARLOTTE VON MAHLSDORF SAINT OF ANTINOUS

SAINT Charlotte von Mahlsdorf, who was born on this day in 1928, was a Berlin trans/gay who survived the Nazis and East German communists and about whose life a Pulitzer Prize winning play, "I Am My Own Woman", has been staged at theatres around the world.

The title is misleading since the original German is "Ich bin meine eigene Frau" and the word "Frau" can mean either "Woman" or "Wife". 

The phrase was Charlotte's answer to her mother's question: "Don't you think it's time you got a wife?"

Charlotte was her own man and her own woman and her own husband/wife. In a long life amidst dictatorship, war and oppression of human-rights, Charlotte learned to create her own identity. We honor Charlotte as a Saint of the Religion of Antinous.

St. Charlotte, who liked to wear frumpy house dresses with a clunky handbag and a strand of pearls and matronly shoes, somehow managed to survive the Gestapo, the East German Stasi secret police and assaults by neo-Nazis. In doing so, Charlotte made serious ethical compromises along the way in order to stay alive. 

Charlotte amassed a huge collection of Victorian antiques which some said came from the homes of Jewish Holocaust victims and (later) from homes of people fleeing East Germany.


But Charlotte DID stay alive in dangerous times during which others perished. Charlotte's life forces you to ask yourself what YOU would have done in similar circumstances.

After German unification, Charlotte became something of a reluctant gay icon in Germany in the 1990s. Charlotte never had any pretensions of being intellectual or a political activist. 

Charlotte never quite fit in with post-Stonewall activists, who were a bit puzzled by her dowdy grand-motherliness and her passion for 19th Century Renaissance Revival style antiques. Like Quentin Crisp (also a Saint of Antinous), Charlotte belonged to another era.

But unlike Quentin Crisp, Charlotte wasn't especially witty or campy (despite her appearance) and was not an artist of the arch one-liner the way Quentin was. In appearances on talk shows, she would sit there, smiling politely, with not a great deal to say unless it was about collecting and restoring 19th Century antiques. But what she did say was eloquent in its simplicity: 

People should be kind to each other and let each other get on with their lives the way they want to.

Above all, she didn't much like being a celebrity. Too many people  expected things of her. She became a target for neo-Nazis, mostly drunken, youthful vandals in the 1990s. Not surprisingly perhaps, considering all she had lived through, she became somewhat paranoid towards the end of her life. In the end, she fled to Sweden where she spent her final years in virtual isolation before dying in 2002.

We honor St. Charlotte von Mahlsdorf for being someone who was not afraid to be openly trans/gay in the face of totalitarian dictatorships and police states. Someone who survived the Nazis and the Stasi secret police ... wearing a dress, a strand of pearls and a handbag.

THIS IS THE DAY THE WISEST MAN DIED AND ROME BEGAN TO FALL

MARCH 17th is the anniversary of the death of Marcus Aurelius and we in the Religion of Antinous set aside this day each year to remember the last of the great philosopher-emperors, and a man who knew both Hadrian and Antinous.

What follows, is adapted from writings over the years by Flamen Antinoalis Antonius.

As a young boy Marcus Aurelius had caught the eye of the Emperor Hadrian. He was appointed by the Emperor to priesthood in the year 129 (just a year before the death of Antinous), and Hadrian also supervised his education, which was entrusted to the best professors of literature, rhetoric and philosophy of the time.

Marcus Aurelius discovered Stoicism by the time he was 11 and from his early twenties he deserted his other studies for philosophy. The Emperor Antoninus Pius, who succeeded Hadrian, adopted Marcus Aurelius as his son in 138.

Antoninus Pius treated Aurelius as a confidant and helper throughout his reign; Marcus Aurelius also married his daughter, Faustina, in 139. He was admitted to the Senate, and then twice the consulship. In 147 he shared tribunician power with Antoninus. During this time he began composition of his Meditations, which he wrote in Greek in army camps.

At the age of 40, in 161 Marcus Aurelius ascended the throne and shared his imperial power with his adopted brother Lucius Aurelius Verus. Useless and lazy, Verus was regarded as a kind of junior emperor; he died in 169. After Verus's death he ruled alone.

Most of his reign was spent fighting and negotiating with the Germanic barbarians who were steadily crowding around the borders of the Empire. Marcus was able to hold them back with a succession of victories and peace treaties. In 177 he made his son, Commodus, joint-Emperor, though Commodus had no interest in the responsibility, caring more for the gladiatorial sports, but Marcus, the philosopher- king, took no notice of his son's blood-lust, which was to later cost the Empire dearly.

For much of his reign, Marcus Aurelius had suffered from severe illness, but his calm devotion to stoic virtue gave him the strength to continue without rest and without his poor health interfering with his duties. While with the legions on the German frontier, Marcus Aurelius suddenly died on March 17th in the year 180AD.

His ashes were conveyed to Rome and placed in Hadrian's Mausoleum. Commodus assumed power and began the chain of tragic events that are said to have brought the decline and fall of the Roman Empire.

For his wisdom, and strength, and because he was the last instrument of Hadrian's plan that brought so much glory, and prosperity to Rome, we venerate the deified Marcus Aurelius as a god of the Religion of Antinous.
An important feature of the philosophy was that everything will recur: the whole universe becomes fire and then repeats itself.

Constantly regard the universe as one living being, having one substance and one soul; and observe how all things have reference to one perception, the perception of this one living being; and how all things act with one movement; and how all things are the cooperating causes of all things which exist; observe too the continuous spinning of the thread and the contexture of the web. (from The Meditations)

THE FEAST OF HORUS AND THE SEVEN SCORPIONS

MARCH 16th is the feast of Horus and the Seven Scorpions. Horus is the son of Isis and Osiris. 

When Seth murdered Osiris, grief-stricken Isis searched for his corpse. Isis entrusted baby Horus to Selket/Serqet the scorpion goddess. 

The Egyptians knew that scorpions are very good mothers. A mother scorpion carries her babies on her back ... and she attacks anyone who dares to approach too close! 

For added protection, Selket became seven scorpions, thus providing seven-fold protection to Horus. 

Selket is the guardian of Horus and ... by extension ... she is the guardian of Antinous. When you REALLY need protection: call upon Selket!

16 de março é a festa de Horus e os Sete Escorpiões. Horus é filho de Isis e Osíris. Quando Seth assassinou Osíris, a Isis, que sofreu um sofrimento, procurou seu cadáver. Isis confiou o bebê Horus a Selket / Serqet a deusa do escorpião. Os egípcios sabiam que os escorpiões são mães muito boas. Uma mãe escorpião carrega seus bebês em suas costas ... e ela ataca qualquer um que se atreva a aproximar-se muito perto! Para maior proteção, Selket se tornou sete escorpiões, proporcionando assim sete vezes proteção a Horus. Se você realmente precisa de proteção: chamar Selket!

El 16 de marzo es la fiesta de Horus y los Siete Escorpiones. Horus es el hijo de Isis y Osiris. Cuando Seth asesinó a Osiris, Isis buscó su cadáver. Isis le confió a Horus a Selket / Serqet la diosa del escorpión. Los egipcios sabían que los escorpiones son muy buenas madres. Una madre escorpión lleva a sus bebés sobre su espalda ... y ella ataca a cualquiera que se atreva a acercarse demasiado cerca! Para mayor protección, Selket se convirtió en siete escorpiones, proporcionando así siete veces protección a Horus. Si realmente necesita protección: ¡llame a Selket!

ANTINOUS AND THE MAGIC OF SCENT EXPERTS SAY STATUES WERE PERFUMED

ANCIENT statues of Antinous not only were painted and gilded and had floral wreaths and draped fabrics, but they were also perfumed.

A recent study published in the Oxford Journal of Archaeology has revealed a little-explored aspect of ancient art: the use of perfumes and aromatic substances in Greco-Roman sculptures. This research, led by archaeologist Cecilie Brøns, proposes a new way of understanding classical art, challenging the traditional perception of sculpture as a purely visual art form.

Greco-Roman art has been studied for centuries through the lens of its visual appearance. However, Brøns' research highlights that these sculptures were not only polychromed and adorned with textiles and jewelry but also impregnated with fragrances.

This practice, documented in literary and epigraphic texts, suggests that the sensory experience of ancient spectators was much richer than previously thought.

The research is based on a series of classical texts describing how statues of gods and illustrious figures were perfumed. For example, the Roman orator Cicero mentions the custom of anointing the statue of Artemis in Segesta with perfumes. Likewise, the poet Callimachus describes in an epigram that the statue of Berenice II, queen of Egypt, was moist with perfume.

Perfumes were not only used to beautify the sculptures but also served a ritual function. In ancient Greece and Rome, the gods were honored with exotic fragrances and scented oils. In the sanctuary of Delos, epigraphic inscriptions detail the costs and composition of the perfumes used for the kosmesis (adornment) of the statues of Artemis and Hera. These included olive oils, beeswax, natron (sodium carbonate), and rose perfumes.

One of the most fascinating findings of the research is the connection between the perfume workshops discovered in Delos and the practice of perfuming statues. Facilities have been found that suggest the local production of fragrances, confirming that the perfumes used in rituals could have been made on the same island.

The application of perfumes to sculptures was carried out using specific techniques such as ganosis, which involved applying waxes and oils to preserve and enhance the surface of the statues. Vitruvius and Pliny the Elder mention in their writings the use of Pontic wax and special oils to prevent the sculptures from discoloring and to give them a particular sheen.

On the other hand, kosmesis included the use of textiles, jewelry, and fragrances on statues, a practice that reinforced the idea that these divine images were treated as living beings. In this regard, Pausanias recounts that the statue of Zeus at Olympia was anointed with olive oil to protect its ivory from the humid climate.

Although time has erased most of the fragrances applied in antiquity, some traces have survived. A notable case is the portrait of Queen Berenice II, a Ptolemaic sculpture from the 3rd century BCE, where traces of beeswax have been identified on its surface, indicating that it may have been treated with a perfume bath.

Another example is the use of flowers and garlands to adorn statues, adding a temporary but significant olfactory dimension. Festivals such as the Floralia in Rome included the decoration of sculptures with garlands of roses and violets, filling the environment with a festive fragrance.

This drastically changes our perception of Greco-Roman sculpture. Traditionally, statues have been studied from a formalist perspective, focusing on technique and visual composition. However, the fact that these sculptures were also designed to be smelled suggests that classical art appealed to a richer and more complex multisensory experience.