DISCOVER THE MYSTERIES OF ANTINOUS IN YOUR DAILY LIFE NOW

JUNE 17th is the traditional anniversary of the wedding of Orpheus and Eurydice. Antinous was initiated into the Orphic Mysteries of the power of love transcending death. Discover the Orphic Mysteries in your daily life. 

The Orphic Mysteries teach you to remember that you are the musician. You are the dancer. You are that which dies and enters the Underworld. You are also that which rises re-born bright and shining like the dawn sunrise ... today ... every day ... forever ... Homotheosis, Man-Godliness-Becoming-the-Same. 

For a clue to the Antinous Mystery Teachings, just check out French director Marcel Camus' unforgettable film Orfeu Negro, which is a rendition of the Orphic Mysteries in the setting of 1950s Rio de Janeiro during Mardi Gras, or Carnival. 

It is based on the Greek myth of Orpheus and Eurydice. Orfeu is a trolley-car motorman and gifted guitarist. Amid the joyous frenzy of Rio's Carnival, he becomes enthralled with the beautiful, doomed Eurydice. 

Against a backdrop of Rio's favelas (shanty-town ghettos on the hills), the lovers sway in a never-ending rhythmic samba among the crowds. But Eurydice is stalked by a man in a skeleton costume. 

Eventually, Orfeu finds her body in the morgue. In the house of the dead, voodoo rites are performed to bring her back to life. But impatient Orfeu looks upon her too soon ... and the spell is broken. 

In the end, bearing her body in his arms, he falls to his death from a cliff. His guitar, standing in for the lyre of Orpheus, is taken up by one of the street urchins who follow him as a sort of Greek chorus.

The movie is the stuff of pure myth. The movie shows a Rio which no longer exists. In fact, it shows a Rio that never existed. The movie was based on a highly political stage play which satirically condemned the poverty of the favelas. 

When the movie came out, Brazilians criticized it for portraying a Frenchman's romanticized TechniColor tourist vision of Rio.

So what?

That's what myths are about. Myths don't tell the plain old every-day truth that we see on the streets. Myths tell Sacred Truths that exist within our hearts and our souls.

Hadrian and Antinous had both been initiated into the Orphic Mysteries. That is the darker aspect ... the Antinous Mystery Teaching ... which was brought to the screen in Orfeu Negro. Mardi Gras (Carnival) ultimately is a Masque of Love and Death. 

The frivolities are fleeting. Death will catch up with each of us. But a few mortals are privileged ... like Hadrian and Antinous ... to have been initiated into the Mysteries which enable a mortal to cheat death. And that is why we put on gay costumes and dance until we drop.

Most mortals are dancing just because it's party time. But a few mortals are dancing because they have been initiated into the Mysteries of Life and Death. Initiation into the Orphic Mysteries promised advantages in the afterlife. Hadrian and Antinous were well-versed in both Mystery Schools.

But, like Orpheus in the Underworld, poor grieving Hadrian must have known as we wept over his lost boy that the Mysteries not only offer a promise of advantages in the afterlife. The Mysteries of Antinous are lived on a daily basis.

We face a dark demon every day, if not several dark and deathly demons. Physical death is only one of those demons. There are many other forms of death, and the Mysteries of Antinous help us to overcome them on a daily basis.

Bringing Light out of Darkness is a spiritual miracle each of us faces every day. Rejuvenating our spiritual life out of the setbacks and trials of mortality is a task we face every day of our lives, and not just at the hour of our death.

The Afterlife is Now! And THAT is the ultimate Mystery Teaching. The Mysteries of Antinous are not about the Afterlife. They are about your Spiritual Life on an everyday basis.

That's why we dance and sing till we drop ... and never look back! When we dance the Masque of Love and Death, then our lives become imbued with the stuff Sacred Myths are made of ....

'THE LOVE GOD' BY MARTIN CAMPBELL IS A BRILLIANT NOVEL ABOUT ANTINOUS

THE most brilliant novel about Antinous to appear in over half a century ... THE LOVE GOD ... is authored by our own MARTINUS CAMPBELL, priest of Antinous.

While that sounds like biased praise, we Antinomaniacs are hard to please and would not hesitate to pick apart a poorly researched book or one that denigrated Antinous, even if it were written by one of our best friends ... perhaps especially if it were. 

At the same time, a sycophantic book that presented Antinous as being cloyingly sweet and angelic would be unbearable and not believable.

So we are gratified (and greatly relieved) to report that this book truly is a remarkable work of historical fiction right up there with Marguerite Yourcenar's landmark MEMOIRS OF HADRIAN 60 years ago.

Martin traces the life of Antinous from the moment his tousle-haired head emerges from his mother's womb under auspicious stars in Asia Minor to the moment his head sinks beneath the swirling waters of the Nile on a starry evening in Egypt.

Antinous comes to life as a young man of breath-taking beauty who is filled with conflicting passions and loyalties. He is a young man who at times is naive, yet at other times worldly wise with an ability to see the world as it is ... and to describe it with at times brutal honesty to the most powerful man in the world.

Above all, this is a gentle love story between Antinous and Emperor Hadrian, himself a man of contradictory passions and priorities.

Martin himself is a man shares these passions. He has rebounded from a series of debilitating strokes to resume a daunting array of political activism for LGBTIU health and rights issues ... while working on this novel.

Based in a hilltop home overlooking the sea in Brighton England, he spent the best part of a decade researching this novel, retracing the footsteps of Antinous across Greece and Italy, as far north as Hadrian's Wall and as far south as the Nile in Upper Egypt.

Historical facts are excruciatingly accurate ... even the positions of the stars and planets at the moment of the birth of Antinous have been calculated to precision.

An academic scholar can read this book with satisfaction, noting obscure and arcane references which only the experts in the field of Antinology fully appreciate.

At the same time, however, this is a fun book to read even for those who have never heard of Antinous in their lives and who have no firm grasp of Roman civilization in the 2nd Century AD.

There is intrigue, skulduggery, near-death by lightning, getting lost in a subterranean labyrinth, a storm at sea, earthquakes ... and some fairly hot man sex as well, albeit tastefully brought to the page.

The narrator is the Classical Love God himself: Eros. He shoots his amorous arrows and ensures that Antinous and Hadrian fulfill the destiny which the Fates have in store for them ... despite efforts by certain people in the Imperial Court to thwart the Fates.

But the genius of this book is that there are no black-and-white villains or heroes. Antinous is a young man with all the problems and drives of late adolescence. Hadrian is a man with a mid-life crisis of doubt and regret.

Others such as Empress Sabina and her constant companion Julia Balbilla and their coterie of fawning courtiers and freedmen are not really hateful towards Antinous so much as they are simply perplexed by him. 

They view him the way some members of the Royal Household might look at the favorite Corgi of the Queen, unable to comprehend her affection for it, her grief when it dies.

They whisper amongst themselves: What hold does Antinous have over Hadrian? 

Just who does he think he is? And is he a threat to them? 

What is so different about Antinous that Hadrian doesn't grow weary of him ... as he always has with previous toy boys? 

Because they cannot understand how he fits in the scheme of Imperial court life, some really rather wish he would just disappear ... voluntarily or otherwise. 

And through it all is the boyhood friend of Antinous who has accompanied him on this long journey with mixed feelings and with growing envy and jealousy. 

The boiling emotions all stem from Eros, who winks knowingly at the reader as he shoots one arrow after another with unerring accuracy to ensure that Antinous fulfills his destiny ... to take his place alongside Eros as a God of Love.

The result is a richly entertaining and beautifully written novel which appeals to those seeking authoritative scholarly accuracy as well as readers who just want a riveting and memorable adventure yarn.

The Love God is available as Kindle and as a paperback ... CLICK HERE to order.

WE REMEMBER THE NIGHT OF THE TEARDROP WHEN WEEPING ISIS WORKED A MIRACLE

THE 16th of June is the Egyptian "Night of the Teardrop" festival. 

On this night, when the moon rises into the sky, Isis sheds one blessed and mournful tear for her beloved, Osiris, as the breeze from her wings fans the breath of life into him ... so that he is reborn to eternal life. 

That precious tear is then collected by intersex Nile inundation deity HAPI, signalling the start of the build up to the inundation in July. 

Similarly, Hadrian wept for Antinous after he died in the Nile in late 130 AD, and subsequently proclaimed Antinous a god. 

Divine Antinous called upon HAPI to bring forth a bountiful flood in the summer of 131 AD to end a famine. 

It was the first miracle of Antinous! 

The mystery teaching: Even in tears of grief, the divine miracle of life comes forth.

NOW THIS IS WHAT WE CALL AN AGED BREW 3,200-YEAR-OLD BEER MAKER'S TOMB FOUND

IT is possible that the last beverage which Antinous drank was Egyptian beer ... a thick barley beverage that had to be sipped through a straw.

It was just the thing to quench a tourist's thirst under the hot sun of Egypt. The Egyptians had been brewing beer for thousands of years before Antinous visited the Land of the Nile in 130 AD.

Now an archaeological find sheds new light on Ancient Egyptian beer.

A Japanese team headed by Jiro Kondo of Waseda University stumbled onto the tomb of ancient beer-maker Khonso Em Heb while working at an adjacent tomb at the Thebes necropolis across the Nile from Luxor.

The tomb, replete with highly colored frescoes, is being hailed as one of the most significant finds of recent times.

Egypt's antiquities minister Mohamed Ibrahim described Khonso Em Heb as the chief "maker of beer for gods of the dead" adding that the tomb's chambers contain "fabulous designs and colors, reflecting details of daily life... along with their religious rituals."

One fresco shows Khonso Em Heb ... who apart from being a brewer, headed the royal storehouses during the pharaonic Ramesside period (1292-1069 BC) ... making offerings to the gods along with his wife and daughter.

Beer became vital to all the grain-growing civilizations of Eurasian and North African antiquity, including Egypt.

It became so important that in 1868 James Death put forward a theory in "The Beer of the Bible" that the manna from heaven that the Hebrew god gave the Israelites was a bread-based, porridge-like beer called "wusa."

These beers were often thick, more of a gruel than a beverage, and drinking straws were used by the Egyptians to avoid the bitter solids left over from fermentation.

Though beer was drunk in Ancient Rome, it was replaced in popularity by wine. Tacitus wrote disparagingly of the beer brewed by the Germanic peoples of his day.

The Romans called their brew cerevisia, from the Celtic word for it.

THE FESTIVAL OF MAAT AS ALL DEITIES INCLUDING ANTINOUS

THE 15th of June is the Egyptian festival when Ma'at unites as one with all the deities of the heavens. This is when all the gods take on the principle of Ma'at ... including Antinous as the final god of Egypt and ultimate Classical deity. Ma'at is often thought of as representing justice, but her true function is balance. If something has been pushed off kilter, then Ma'at embodies the power that restores equilibrium. This means that she can be appealed to if you are the victim of an injustice, and she will ensure that harmony is restored. However be very sure that you are the victim, because Ma'at is impartial, and will restore balance whoever has been at fault - this is the reason that justice is often shown as blindfolded.

15 de junho é o festival egípcio quando Ma'at une como um com todas as divindades do céu . Isto é, quando todos os deuses assumir o princípio da Ma'at ... incluindo Antinous como o deus final do Egipto e deidade clássica final.. Ma'at é muitas vezes considerado como representando a justiça , mas a sua verdadeira função é o equilíbrio. Se algo está desequilibrado , então Ma'at encarna o poder que restaura o equilíbrio . Isto significa que você pode chamá-la , se você for vítima de uma injustiça , e ela irá garantir que a harmonia é restaurada. No entanto, ser muito certo de que você é vítima , porque Ma'at é imparcial , e irá restaurar o equilíbrio quem foi a culpa - esta é a razão que a justiça é muitas vezes apresentada como com os olhos vendados .

15 de de junio es la fiesta egipcia Maat cuando se une como uno con todos los dioses de los cielos . Esto es cuando todos los dioses toman en el principio de Maat ... incluyendo Antinoo como el dios definitiva de Egipto y la deidad clásica final. Maat se piensa a menudo como la representación de la justicia , pero su verdadera función es el equilibrio. Si algo no es equilibrada , a continuación, Maat encarna el poder que restaura el equilibrio . Esto significa que puede llamar a ella si usted ha sido víctima de una injusticia , y ella se asegurará de que se restablece la armonía . Sin embargo estar muy seguro de que usted es la víctima , ya que Maat es imparcial , y restaurará el equilibrio el que ha sido el culpable - esta es la razón de que la justicia se muestra a menudo como los ojos vendados .

MARTIN CAMPBELL'S HISTORICAL NOVEL 'QUEEN JULIUS CAESAR' IS CONTROVERSIAL

YOU loved THE LOVE GOD, Martin Campbell's historical novel about the life of Antinous ... now you must read his new novel about the early life of Julius Caesar entitled "Queen Julius Caesar" ... now available in Kindle and paperback. ORDER HERE! 

This meticulously researched book (with 40 pages of glossary and appendices) is a fast-paced page-turner with swashbuckling pirates, orgies and political intrigue. 

And it has spawned controversy with its provocative title and the tag-line "Rome's greatest ruler was bisexual." 

Martin, who is an ordained priest of Antinous, explains all in this interview:

KING LUDWIG II of BAVARIA SAINT OF ANTINOUS

ON JUNE 13th the Religion of Antinous commemorates the life of King Ludwig II of Bavaria, who died on this date in 1886 under mysterious circumstances in an Alpine lake. As with Antinous, his death is shrouded in myth and legend and it will never be known whether he drowned accidentally or whether he was assassinated.

Born August 25, 1845, Ludwig was only 18 when he ascended to the throne of Bavaria in 1864. He was the  last truly sovereign monarch of that Alpine nation, which was engulfed by Prussia during his reign and very much against his wishes.

While the king of Prussia was planning a war against France, and various other crowned heads of Europe were scheming and conniving to commit war and bloodshed, "Mad" King Ludwig (as he was called) devoted the entire resources of his land to the performing and visual arts, commissioning operas by Richard Wagner and building the most astounding fairy-tale castles and palaces.

In the build-up to the Franco-German war, as troops were marching off to battle, Ludwig did not bother to see off his military forces. Instead, he went off on a jaunt to Switzerland to confer with Wagner on plans for a Wagnerian opera house in Munich. The opera house was never built, due to opposition from local critics. Instead, it was built at the Bavarian town of Bayreuth to the specifications of the composer, paid for by Ludwig personally.

Shockingly, in a staunchly Roman Catholic land, Ludwig never married and instead surrounded himself with handsome manservants, artists and architects.

Indeed, Ludwig is best known as a closeted gay man whose legacy is intertwined with the history of art and architecture, as he commissioned the construction of several extravagant fantasy castles (the most famous being Neuschwanstein below) and was a devoted patron of Wagner, who might never have finished his "Ring" cycle without Ludwig's ostentatiously generous support.

In an age of fiercely militaristic nationalism, Ludwig came under intense pressures from his advisers to abandon his artistic projects and to devote himself to empire-building. Feeling harassed and irritated by his ministers, he considered dismissing the entire cabinet and replacing them with fresh faces. The cabinet decided to act first.

 Seeking a cause to depose Ludwig by constitutional means, the rebelling ministers decided on the rationale that he was mentally ill, and unable to rule.

Medical psychiatry was in its infancy, and a panel of "experts" assembled mostly anecdotal evidence of the king's "madness" to satisfy the ministers.

The list of "mad" behavior included his extreme shyness, his distaste for politics and state affairs, his complex and expensive flights of fancy (including moonlit picnics at which his young groomsmen were said to strip naked and dance), conversations with imaginary persons, sloppy and childish table manners and sending servants on lengthy and expensive expeditions to research architectural details in foreign lands.

He was deposed on June 9, 1886, and placed under house arrest at a castle on the shores of Lake Starnberg south of Munich where he was under the constant watchful eye of a psychiatrist.

On June 13, around 6:00 pm, Ludwig asked the psychiatrist to accompany him on a walk along the shore of Lake Starnberg. The doctor agreed, and told the guards not to follow them. The two men never returned. At 11:30 that night, searchers found both the king and his doctor dead, floating in the shallow water near the shore.

Ludwig was known to be a strong swimmer, the water was less than waist-deep where his body was found, and the official autopsy report indicated that no water was found in his lungs. Nonetheless, the official death certificate listed suicide by drowning. The death of the doctor was never explained.

Most other monarchs of his era have been forgotten, or else their names have been cursed by succeeding generations for laying the groundwork for the First World War. But Ludwig was only interested in laying the groundwork for grand architecture and enduring cultural masterpieces. His legacy of art and architecture ... and homoerotic romance ... continues to inspire and to enchant.